Bachelor of Music: Music Technology

Audition Requirements 2021-2022

Last Updated: September 2021
Joo Won Park
All music technology applicants must complete the following: 
1) An live audition or submit an audition video on their primary instrument or voice
2) Portfolio demonstrating evidence of your previous engagement with music technology 
3) Upload a document explaining: 
  • Your overall experience with audio hardware and software.
  • What would you like to learn the most if you are accepted to the Music Technology program at Wayne State University? 


A link(s) to a portfolio should contain work that shows your significant involvement in music technology in the past two years. 
1. Copy and paste link(s) into a document 
2. Accompany each link with a description of the software and hardware used to make the submission and what was your role in the submitted music. Were you a composer, producer, engineer, performer, etc.? 
3. Upload document in Acceptd along with audition video. 

The portfolio link(s) can be one or more of the following: 

  • A Soundcloud/Bandcamp link to music that you produced, composed or engineered 
  • A direct link to a cloud containing your recent music technology projects 
  • A link to a video that shows your proficiency in performing electronic instruments (synthesizers, drum machine, software instrument, etc.) 
  • If you have worked in a theater or concert hall, provide a letter from a teacher or a supervisor that describes your duties 
  • Other information or documentation that proves your involvement with music technology 

Performance Audition 

Prospective students interested in the Bachelor of Music in Music Technology program will complete a live audition OR submit video recordings of the categories listed below. With each video submission, state your full name and the music program for which you are auditioning. You may also submit a resume or other materials that you feel are relevant for the Music Department Audition Committee. 

Brass and Woodwinds

1. Scales: Select one 3-octave major, one 3-octave minor and chromatic scale throughout the range of the instrument 

2. Music Selections: Two prepared selections in contrasting tempo and historical styles: Selections can be chosen from: etudes, solo works, single movements of concertos, sonatas, suites, etc.  

Classical Percussion

Demonstrate percussion skills on snare drum, marimba or xylophone, and timpani, as follows:
Snare drum:
•    Long roll, open-closed-open, pp-ff-pp
•    5,7,9,13,17-stroke rolls
•    Flams, flam accent no. 1 & 2, ruff, paradiddles,ratamaque, flam tap
•    Sight reading
•    Solo piece (non-rudimental)

Marimba or Xylophone: 
•    Major scales, two octaves, keys of C, F, G, D, E, A, Bb, Eb, Ab
•    Chromatic scale
•    Major and minor arpeggios, two octaves, for each of above keys
•    Sight reading
•    Three or four-mallet solo

•    For two drums, tune major 2nds, 3rds, 4ths, 5ths, 6ths, 7ths; minor 3rds, 6ths; octaves
•    Perform page 19 in the Goodman Timpani Method plus any two exercises for two or three drums
•    Sight reading
•    Theory placement examination


Violin, Viola and Cello:

1. Scales: One 3-octave major and one 3-octove melodic minor scale, with arpeggios

2. Music Selections: 

  1. One movement from solo Bach sonatas and partitas
  2. One etude of applicant's choice
  3. One concerto movement or single-movement solo piece

Double Bass:

1. Scales: One 2-octave major and one melodic minor scale, with arpeggios

2. Music Selections: One movement of solo Bach or an etude of applicant's choice; one concerto movement or single-movement solo piece

Classical Guitar

1. Scales: Major and minor scales in several positions 

2. Music Selections: Perform two contrasting selections from memory. 

Applicants should demonstrate technical ability consistent with the satisfactory completion of method books such as Frederick Noad: Book 1 - Solo Guitar Playing, Julio Sagreras Book 1, or similar methods. Make sure to demonstrate knowledge of chord types in several positions. Some examples of repertoire could include etudes/studies from Aguado, Brouwer, Carcassi, Giuliani, Sor, and Tarrega. 


1. Scales: One major and one minor scale with arpeggios (or representative etudes)

2. Music Selections: Two prepared solos in contrasting musical styles 


1. Music Selections: Three prepared pieces in different historical and contrasting styles. Song selections must be memorized. It is preferred that vocal applicants record with an accompanist or with a backing track.

  1. One English art song
  2. One foreign-language art song (preferably Italian),
  3. One other song (in any language) or aria appropriate to the auditionee's level. 


1. Scales: Select one major scale and arpeggio, four octaves; one minor scale and arpeggio, four octaves; chromatic scale, four octaves 

2. Music Selections: Two prepared pieces in contrasting styles. The minimum acceptable level is early intermediate, standard compositions such as Bach, Little Preludes; Clementi, Sonatinas; Kuhlau, Sonatinas; short character pieces of the 19th and 20th centuries. "Self-composed" works are not acceptable for audition repertoire. 


1. One Prepared Jazz Standard 

Requirements: All instrumentalist should prepare 1 jazz tune from the standard jazz lexicon. The tune should showcase the student playing a chorus of the melody and an improvised solo. 

*Live Auditions: Students will perform with live rhythm section. 

*Submitted Video Audition: Applicants must use a backing track as accompaniment to the selected jazz standard. There are many free and paid backing track options available by internet search. 

This list, yet not exhaustive, provides acceptable jazz standards of varying degrees of difficulty: Autumn Leaves, On Green Dolphin Street, All the Things You Are, Take the A Train, Song for My Father, So What or Impressions, All Blues, Billie's Bounce, Billie's Bounce, Au Privave, Sandu, Blues for Alice, Blue Monk, Isotope, Straight No Chaser, Tenor Madness Confirmation, Donna Lee, Moment's Notice, Stable Mates, Oleo, Anthropology, In Walked Bud, Yes or No, A Night in Tunisia, Bouncin' With Bud. 

Additional Requirement for Drummers: Please announce each style before you play. 

Demonstrate following examples:

  • (approx. 20 or 30 sec. length) ▪ Swing (slow, medium, fast) 
  • Bossa nova 
  • Latin 
  • Contemporary pop styles 
  • Jazz waltz time 
  • Straight time 

2. Sightreading

Those who choose to audition in person will be required to sightread during their audition. 

Those who submit an audition video will be contacted by the audition committee to set up an interview where sightreading will be conducted over Zoom. 

For guideline and requirement questions please contact: 313-577-1783 or