Brass, Harp, Woodwind and Percussion Instruments
Contact: Douglas Bianchi
(313) 577-2615

•    three prepared pieces in different historical styles, including at least one entire concerto, sonata or suite
•    three contrasting orchestral excerpts

•    three prepared pieces, one each on snare drums, mallets, and timpani
•    snare drum: non-rudimental solo
•    keyboard: four-mallet solo
•    timpani: four-drum solo that displays tuning
•    sight reading on all three instruments

•    three prepared solos or concerto movements representing at least two different musical eras, or two solos and one substantial orchestral harp part, e.g., Berlioz's Symphonie Fantastique or Wagner's Fire Music. At least one piece should be memorized.

•    All Major and Melodic Minor Scales
•    Two solos of contrasting styles
•    Sight Reading

Contact: Robert Conway
(313) 577-2676

 •   From memory, four works representing at least three historical styles. Examples:

       •    Baroque - an English suite, French suite, Partita, Toccata, or the Italian Concerto by Bach; sonatas by Scarlatti
 •    Classical - a complete Sonata by Beethoven, Haydn or Mozart
 •    Romantic - major works by Brahms, Chopin, Liszt, Schubert, Schumann, Rachmaninoff, etc.
 •    Impressionistic - major works by Debussy or Ravel
 •    Contemporary - major work by a composer working in a 20th-century idiom
 •    Sight reading
 •    Chromatic scale, major and minor scales and arpeggios, four octaves

Contact: Laura Roelofs
(313) 993-4206

 •    Three prepared works representing a variety of historical periods and styles. At least one work must be a complete solo concerto or solo suite.
 •    standard orchestral excerpts
 •    sight reading

Contact: Frances Brockington
(313) 577-2619

Applicants should bring a resume, including a repertoire list, and a short biographical sketch.
 •    minimum of three memorized selections, including one one from operatic literature, one from oratorio literature, and one 20th-century art song. Applicants should demonstrate ability in French, Italian, and German diction.
 •    sight singing

Guitar (classical)
Contact: Brian Roberts

Three prepared pieces representing at least two different historical styles
 •    Renaissance: works by Narvaez, Dowland, or Milan
 •    Baroque: a suite by J.S. Bach
 •    Classical: larger works by Tarrega, Albeniz, or Granados
 •    Contemporary: works by Ponce, Brouwer, or Henze

Contact: Norah Duncan IV
(313) 577-1775

Three standard organ works representing at least two different historical styles
 •    Baroque: noels by Daquin, a Leipzig prelude and fugue by Bach
 •    Romantic: movements from the symphonies of Widor or Vierne
 •    Contemporary: works by Alain